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Photogenie. Texts on cinema. Issues curated by alumni of the Young Critics Workshop at Film Fest Gent..
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Film Fest Gent, Michaël Van Remoortere wrote about Katell Quillévéré's Réparer les vivants: "What we are basically talking about here is the question of what constitutes a movie as a work of art inst...
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12u15 – Lunch Break 14u00 – “From ‘the Dramaturgy of Reality’ to ‘the Dramaturgy of Idea’. Krzysztof Kieślowski’s Concepts of Documentary Filmmaking” – Mikołaj Jazdon 14u45 – “Kieslowski’s 15u45 – C...
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The Use of an Illusion | photogenie
The past decade has seen a dramatic expansion in the production of ‘video essays’, or what might also be called, more precisely, ‘Videographic Film Studies’. We would like to begin to offer a theor...
Photogenie.be news digest
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2 years
At the Frontier of Knowing: The Films of Peter Hutton
In the summer of 1925, Meher Baba took an oath of silence that he preserved until his death forty-four years later in 1969. Universal culture in his lifetime remained rife with speculation about the gesture. Droves of his followers – called masts (the...
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2 years
Yet we love those heavy materials which Flaubert’s sentences lift and let fall again with the intermittent noise of an excavator… Fortunate those who are alive to this obsessive rhythm…
— Marcel Proust
In the later years of his life, misunderstood and ridiculed, his work as a director forgotten by all but a few loyalists, Erich von Stroheim was known to recall, in detail, all the material minutiae of his long-ago butchered films: the furnishing of... -
2 years
Cinema Has Never Been Modern: Artavazd Pelechian’s Nature
2019 and 2020 saw the slightly surreptitious emergence of a strange object, stemming from another time and manufactured by one of cinema’s most unaccountable, errant minds: Artavazd Pelechian. Nature (2019) is the first film in 26 years from the sui...
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2 years
Cinema had no choice but to be silent during its first few decades of existence, yet after the emergence of sound technology, the oscillation between sound and its absence introduced itself as a force to preside over the emotional journey of the viewer...
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