Marshall Vandruff | Home – Creativity & Craft in the Arts
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About Marshall... I was born in Southern California and have lived here all my life. I was raised on the Bible, The Beatles, and 1960's television, by loving parents who suspected incompatibility betw...
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Artistic Development Information
Stories to Steer You into Real Jobs In Seminar 1, I'll show that there are many “artistic temperaments” and explain some modern ways of matching your personality to your artistic niche. You'll see pro...
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Marshall Vandruff | Home – Creativity & Craft in the Arts
All images copyright Marshall Vandruff unless otherwise noted and may not be commercially reproduced without permission.
Marshallart.com news digest
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4 years
George Bridgman created some of the most powerful, authoritative, Michelangeloish figures of any drawing teacher I know since Michelangelo. Many drawing teachers are not the best practitioners. George was. Remarkably so.
The drawings are anything but slick. They’re rugged. But they showcase mastery of anatomy and structure — what a body is made of and how it occupies space.... -
9 years
Learning to Tell Stories, Part 4: Toward Mastery
Making Storytelling Easier
Whether you like story templates or don’t, this is my last thought on what I think is their first problem: they give students the illusion that they will make story-crafting easy, or fast, or less messy. On paper, the recipe looks simple. In the kitchen... -
9 years
Learning to Tell Stories, Part 3: Recipes
Templates & Formulas
Story templates are not new to the 21st century. In the 1930’s, The Plot Genie helped writers assemble a plot with a spinning wheel and lists of situations.[1. It is back in print, and if you use it and like it, please let me know.] I tried it decades... -
9 years
Learning to Tell Stories, Part 2: Books
A Glut of Knowledge
When screenwriting books became popular in the 1980’s, I was ready for them. Here is a recollection.
I started with Syd Field’s Screenplay, which I read cover to cover twice. He taught that a story has a predictable structure based on three acts. In that first edition, he even made a big deal about act reversals happening on particular page numbers...
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