Giallo is the Color of Death
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skip to main | skip to sidebar Thursday, May 28, 2009 In 2004, The American Cinematheque held a rare screening of STARCRASH (aka FEMALE SPACE INVADERS), Luigi Cozzi's legendary tip of the hat t...
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Giallo is the Color of Death: About The Book. . .
Thank you for visiting the making of the book, "Giallo is the Color of Death." If you have found your way here because you're passionate about cinema and not by accident as you googled for, oh, let's...
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The Director Must Direct Again! An exclusive interview with science-fiction, horror, and fantasy maestro, Luigi Cozzi. In 2004, The American Cinematheque held a rare screening of STARCRASH (aka FEMA...
Gialloisthecolorofdeath.blogspot.com news digest
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14 years
The Director Must Direct Again! An exclusive interview with science-fiction, hor...
In 2004, The American Cinematheque held a rare screening of STARCRASH (aka FEMALE SPACE INVADERS), Luigi Cozzi's legendary tip of the hat to STAR WARS, during its annual Fantasy, Horror, and Sci-Fi Festival. At the end of the introduction for the movie...
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15 years
What's in a Giallo Name? Everything. . .
Excerpt:
A word that can best describes the giallo genre in general is excess. Excessive plot. Excessive gore. Excessive violence. Excessive fashion. Excessive style. Excessive lunacy. Excessive gratuity. Excessive excessiveness. Like a Caligulan orgy, the giallo... -
15 years
The Giallo That Did So Much. . .
Excerpt:
Much has been written regarding the influence that Mario Bava's THE GIRL WHO KNEW TOO MUCH (1963) has on the giallo's narrative structure. Indeed, it is credited as being the first movie to typify the giallo genre. In his treatise, La Dolce Morte: Vernacular... -
15 years
Enter the American: John Saxon Talks Bava, Argento, and Other Things That Go Bum...
John Saxon's career in Hollywood dates back to 1954, when he appeared in the George Cukor double feature A STAR IS BORN and IT SHOULD HAPPEN TO YOU. From those uncredited performances Saxon would go on to spend the next five decades in front of the camera...
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