BiBaBiDi

Two Japanese ladies, who look like they could be sisters, one accordion, a bag of campy lyrics, and an orchestra comprised of canned horns and soft strings for the backing band—would you believe their one and only U.S. release arrived through They Might...

A return to Australia, eh.
At least through the 80s, when they started, calling this ragtag assembly of Sydney folks a band would be generous; their namesake bassist, Michelle Cannane, left shortly after they stumbled into a studio, and all other personnel either wandered in or...

I have an... intimate relationship with Japanese music.
For as long as I can remember, music from the Land of the Rising Sun has been my North Star: while perhaps not always in heavy rotation, it's always on my mind, and what I've learned and picked up through it functions as a sort of Rosetta stone; most...

A bit of an oddity for their label, Mo Wax, Parsley Sound was, at their most effective, a bit of dreamy indie-pop coming from a downtempo production approach. Sweet and gentle, a little twee, heavily filtered and electrified, despite pursuing a color...